European Film Academy Lifetime Achievement Award, Italian National Syndicate of Film Journalists, Italian National Syndicate of Film Journalists Silver Ribbon for Best Director, "What Antonioni's movies mean in the era of mindfulness and #MeToo", "Michelangelo Antonioni: Centenary of a Forgotten Giant", "Interview with Michelangelo Antonioni in Rome", "Michelangelo Antonioni: stately cinematic master or pretentious bore? Antonioni's final film, made when he was in his 90s, was a segment of the anthology film Eros (2004), entitled "Il filo pericoloso delle cose" ("The Dangerous Thread of Things"). Antonioni’s preoccupation with this cool, sometimes dispassionate “exquisite alienation” would often take a similar form; an austere but beautiful visual majesty, an architectural enormity that often oppressed the psychology of his characters within their environment (environment being everything to the filmmaker) and temps mort [dead time], those moments after the scene’s action really ends, when the camera’s gaze lingers, soaking up the inexpressible. È l'ultimo film in bianco e nero girato da Antonioni; dopo due anni il regista volterà pagina girando Deserto rosso. , As a child, Antonioni was fond of drawing and music. Film streaming gratis Links Mixdrop Supervideo Embed Fasturl Doodstream Drammatico, Italia, 1960. L'opera, la quinta del regista di Ferrara , ha riscosso un buon successo di critica tanto da essere premiata con il Leone d'argento alla 16ª Mostra internazionale d'arte cinematografica di Venezia . Although it dealt with the challenging theme of the impossibility of objective standards and the ever-doubtable truth of memory, it was a successful and popular hit with audiences, no doubt helped by its sex scenes, which were explicit for the time.  The director explained to Italian film critic Aldo Tassone: My childhood was a happy one. Ignorant in architecture, I constructed buildings and streets crammed with little figures. CINEMA Si va da Cronaca di un amore di Michelangelo Antonioni a Goodfellas di Martin Scorsese. ", Wexman describes Antonioni's perspective on the world as that of a "postreligious Marxist and existentialist intellectual. But even in the way they wore their clothes, there was a fantasy, a frankness that made me prefer them to boys of bourgeois families. It was presented to him by Jack Nicholson. I film di Antonioni che ho visto: Gente del Po (1947, documentario) *** Cronaca di un … A young woman returns to her hometown of Turin to set up a new fashion salon and gets involved with a troubled woman and her three wealthy friends. , Antonioni's plots were experimental, ambiguous, and elusive, often featuring middle-class characters who suffer from ennui, desperation, or joyless sex. My mother ... was a warm and intelligent woman who had been a laborer in her youth. One of my favorite games consisted of organizing towns. A key text of swinging London, Michaelangelo Antonioni’s Palme d’Or winning film was released in 1967.  Miklós Jancsó considers Antonioni as his master. He continued to do so in a series of other films: I vinti ("The Vanquished", 1952), a trio of stories, each set in a different country (France, Italy and England), about juvenile delinquency; La signora senza camelie (The Lady Without Camellias, 1953) about a young film star and her fall from grace; and Le amiche (The Girlfriends, 1955) about middle-class women in Turin. You could say that Antonioni was looking directly at the mysteries of the soul. L'avventura - Un film di Michelangelo Antonioni. Con Christopher Bucholz, Robert Downey jr, Gong Li. Antonioni lay in state at City Hall in Rome where a large screen showed black-and-white footage of him among his film sets and behind-the-scenes. In seguito alla proiezione del film, il regista Roberto Rossellinidichiarò: “L’avventura è il più bel film mai presentato a un festival”. ", American actor Peter Weller, whom Antonioni directed in Beyond the Clouds, explained in a 1996 interview: "There is no director living except maybe Kurosawa, Bergman, or Antonioni that I would fall down and do anything for. It starred David Hemmings and Vanessa Redgrave. Consigli per la visione +16. However, he continued to make films, including Beyond the Clouds (1995), for which Wim Wenders filmed some scenes. Durata 102 minuti. The poor still existed at that time, you recognized them by their clothes. Antonioni was born into a prosperous family of landowners in Ferrara, Emilia Romagna, in northern Italy. The latter will always be the greater household name in cinema, but with Antonioni’s contributions to the form and the dismantling of conventional grammar perhaps not getting their due appreciation from any but the most rarefied of cinephile circles over the years, we’d argue a wider reassessment can’t be far behind. In its second half, “L’Avventura” all but abandons the missing girl—she drifts away like a foggy, forlorn memory—and then tracks her boyfriend Sandro (Gabriele Ferzetti) and best friend Claudia (Monica Vitti) as they eventually fall in love while initially searching in vain for their lost companion. Durata 140 min. 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Film historian David Bordwell writes that in Antonioni's films, "Vacations, parties and artistic pursuits are vain efforts to conceal the characters' lack of purpose and emotion. Ingmar Bergman stated in 2002 that while he considered the Antonioni films Blowup and La notte masterpieces, he found the other films boring and noted that he had never understood why Antonioni was held in such esteem. My intention ... was to translate the poetry of the world, in which even factories can be beautiful. Career-wise, Antonioni’s Red Desert is emblematic of his 1960-1964 period, but it also represents a transition. In 1940, Antonioni moved to Rome, where he worked for Cinema, the official Fascist film magazine edited by Vittorio Mussolini. Antonioni's final film, made when he was in his 90s, was a segment of the anthology film Eros (2004), entitled "Il filo pericoloso delle cose" ("The Dangerous Thread of Things"). La notte won the Golden Bear award at the 11th Berlin International Film Festival, His first color film, Il deserto rosso (The Red Desert, 1964), deals with similar themes, and is sometimes considered the fourth film of the "trilogy". He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard. Filmmaker, novelist, and screenwriter Alain Robbe-Grillet (he wrote Alain Resnais‘ masterwork, “Last Year at Marienbad“) once said, describing Antonioni’s work with a comparable auteur, “In a Hitchcock film, the meaning of what you see on the screen is constantly delayed, but at the end of the film you understand everything. Durata 125 minuti. In 1972, in between Zabriskie Point and The Passenger, Antonioni was invited by the Mao government of the People's Republic of China to visit the country. A “noir in reverse,” “L’Avventura” is almost two different films in one: an austere, haunting and strangely disquieting first half where a socialite goes missing on a remote island while on a boat trip with her well-to-do friends, its chilly environment, as usual, is the perfect setting for the disaffected psychology of the characters (a fundamental element of all subsequent Antonioni films). While he had made five previous movies, 1957’s “ Il Grido ” being the most essential of the bunch, Italian filmmaker Michelangelo Antonioni ’s career didn’t really begin in earnest until a May 1960 evening at the Cannes Film Festival where his latest film, “ L’Avventura,” was met with boos, exaggerated yawns, loud jeers, and even derisive laughter. " Critic Roland Barthes wrote that Antonioni's art "consists in always leaving the road of meaning open and as if undecided," and claimed that his approach "is not that of a historian, a politician or a moralist, but rather that of a utopian whose perception is seeking to pinpoint the new world, because he is eager for this world and already wants to be part of it. A product of European post-war cinema, Antonioni was described as a modernist in that he dared to push cinematic language forward, but he also attempted to express anachronistic morals and emotions (he sympathizes with the lovers in “L’Avventura” even if by the codes of modern society, they are backstabbers). Il grido è un film di genere drammatico del 1957, diretto da Michelangelo Antonioni, con Alida Valli e Steve Cochran. Later that year he enrolled at the Centro Sperimentale di Cinematografia to study film technique, but left after three months. ", "From Acting to Directing, Cigars to Jazz, Actor Peter Weller Is a Man of Many Passions", Society of Motion Picture and Television Engineers, David di Donatello Award for Best Director, National Society of Film Critics Award for Best Director, https://en.wikipedia.org/w/index.php?title=Michelangelo_Antonioni&oldid=993059132, Centro Sperimentale di Cinematografia alumni, Short description is different from Wikidata, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Cannes Film Festival Jury Prize (1962), for, Cannes Film Festival 35th Anniversary Prize (1982), for, David di Donatello Luchino Visconti Award (1976), Giffoni Film Festival Golden Career Gryphon (1995), Italian National Syndicate of Film Journalists Silver Ribbon for Best Documentary (1950), for, Italian National Syndicate of Film Journalists Special Silver Ribbon (1951), for, Italian National Syndicate of Film Journalists Silver Ribbon for Best foreign film Director (1968), for, Kansas City Film Critics Circle Award for Best Director (1968), for, National Society of Film Critics Award for Best Director (2001), for, Valladolid International Film Festival FIPRESCI Prize for Short Film (2004), for, Venice Film Festival FIPRESCI Prize (1964), for, Venice Film Festival Career Golden Lion (1983), Venice Film Festival FIPRESCI Prize (1995), for, Venice Film Festival Pietro Bianchi Award (1998), This page was last edited on 8 December 2020, at 16:04. Si tratta del primo capitolo della “trilogia dell’incomunicabilità”, presentato in concorso al 13° Festival di Cannes, fischiato dal pubblico ma vincitore del “premio della giuria”, per il tentativo di sviluppare un nuovo linguaggio cinematografico e per la bellezza delle immagini. The first, Blowup (1966), set in Swinging London, was a major international success. In fact she’s forgotten and evaporates from the movie’s and the characters’ consciousness. I invented stories for them. In 1943, he travelled to France to assist Marcel Carné on Les visiteurs du soir and then began a series of short films with Gente del Po (1943), a story of poor fishermen of the Po valley. The picture could be seen as an erosion of values—how friends abandon their compatriots for a shallow affair that’s likely not going to last, but Antonioni is actually operating on a more complex level and embracing their relationship, not condemning it (which is usually the case with the torrid affairs he depicts). È considerato uno di quei film che tutti i fotografi dovrebbero vedere.Grazie a questo film Michelangelo Antonioni ha vinto Palma d’oro al Festival di Cannes 1967 e ricevuto la candidatura agli Oscar del 1967 come miglior film e miglior regista. I met Antonioni three years ago in Taormina at a film festival. Con Gabriele Ferzetti, Monica Vitti, Lea Massari, Renzo Ricci, Dominique Blanchar, Dorothy De Poliolo. I was born in the mid-1960s, only a couple of months after Michelangelo Antonioni had completed a cycle of four films which made waves in the international film scene. Distribuito da DINO DE LAURENTIIS - … Because just like Antonioni’s similarly themed explorations that followed, it’s a film that almost never provides satisfying or easy answers to the mysteries of human behavior. " AllMovie stated that "his films — a seminal body of enigmatic and intricate mood pieces — rejected action in favor of contemplation, championing image and design over character and story. Perhaps emboldened by this affirmation, Antonioni would continue with what he described as works of searching; intricate and enigmatic mood pieces centering on disaffected, spiritually adrift characters suffering the emotional sickness of ennui, alienation, apathy and existential crises. Curiously enough, our friends were invariably proletarian, and poor. A Venezia Classici tredici film d'autore.  Antonioni returned to their use in L'avventura (1960), which became his first international success. The line and curves of factories and their chimneys can be more beautiful than the outline of trees, which we are already too accustomed to seeing. " Stephen Dalton of the British Film Institute described Antonioni's influential visual hallmarks as "extremely long takes, striking modern architecture, painterly use of colour, [and] tiny human figures adrift in empty landscapes," noting similarities to the "empty urban dreamscapes" of surrealist painter Giorgio de Chirico. Sandro, for instance, having sold out his artistic side for hollow work in the commercial world. The short film's episodes are framed by dreamy paintings and the song "Michelangelo …  The documentary had its first showing in China on 25 November 2004 in Beijing with a film festival hosted by the Beijing Film Academy to honor the works of Michelangelo Antonioni. He gives you a full shot of somebody walking down a road. And then she leaves and you go on looking at the road after she's gone. Le amiche è un film del 1955 diretto da Michelangelo Antonioni, liberamente tratto dal romanzo Tra donne sole di Cesare Pavese. He was the son of Elisabetta (née Roncagli) and Ismaele Antonioni. The third, The Passenger (1975), starring Jack Nicholson and Maria Schneider, received critical praise, but also did poorly at the box office.  They shared the FIPRESCI Prize at the Venice Film Festival with Cyclo. La notte (1961), starring Jeanne Moreau and Marcello Mastroianni, and L'Eclisse (1962), starring Alain Delon, followed L'avventura. My parents gave me free rein to do what I wanted: with my brother, we spent most of our time playing outside with friends. Born into a working-class family, he succeeded in obtaining a comfortable position through evening courses and hard work. The short film's episodes are framed by dreamy paintings and the song "Michelangelo Antonioni", composed and sung by Caetano Veloso. —Antonioni, interviewed about Red Desert (1964). He was buried in his hometown of Ferrara on 2 August 2007. Distribuito da CIC - L'UNITA' VIDEO Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. It's too simplistic to say—as many people have done—that I am condemning the inhuman industrial world which oppresses the individuals and leads them to neurosis. We have been capable of all this, but we have not been capable of finding new ones. However, Antonioni was fired a few months afterward. Antonioni then signed a deal with producer Carlo Ponti that would allow artistic freedom on three films in English to be released by MGM. Maybe with last week’s belated Criterion Collection release of “La Notte,” perhaps the most sensually striking of all his modern tetralogy, the time is now. Terzo film (assieme a L'avventura e La notte) di Antonioni sulla cosiddetta incomunicabilità, resa attraverso interminabili silenzi e significativi studi psicologici dei protagonisti. Di Michelangelo Antonioni, Steven Soderbergh, Wong Kar Wai. L'Avventura di Michelangelo Antonioni - 1960 - 144' completo Previously, he had been nominated for Academy Awards for Best Director and Best Screenplay for Blowup. For Antonioni, eroticism is an emotional tool to mask the characters shortcomings. However, its release was a critical and commercial disaster. ", Italian film director and screenwriter (1912-2007). Penso che quelli su Antonioni siano i miei appunti più inutili in assoluto, sarebbe meglio dimenticarseli e andare subito a guardare i film, ma ormai li ho messi in fila, il lavoro è fatto, eccoli qui. Directed by Michelangelo Antonioni. La notte è un film di genere drammatico del 1960, diretto da Michelangelo Antonioni, con Marcello Mastroianni e Jeanne Moreau. Chatman, Seymour Benjamin, and Paul Duncan. Antonioni (1912–2007), whose fascination with mediated reality only deepened over time, was a restless experimenter with composition, camera movement, cutting, and storytelling. Months later, the statuette was stolen by burglars and had to be replaced. Un sentimento indecifrabile e indefinibile. These three films are commonly referred to as a trilogy because they are stylistically similar and all concerned with the alienation of man in the modern world. “L’Avventura” (“The Adventure” 1960) sfn error: no target: CITEREFBordwell_and_Thompson2002 (, sfn error: no target: CITEREFCameron_&_Wood1971 (, sfn error: no target: CITEREFEcho_and_Leefeld1977 (. Durata 102 minuti. With Antonioni’s [films], it’s the exact opposite.” Spartan widescreen images were always clear, but the meaning was constantly evolving even as the film ended. Da Utoszezon (Late season) di Zoltán Fabri a Sedotta e Abbandona [...] Leggi l'articolo completo: A Venezia Classici tredici film d'autore...→ #Michelangelo Antonioni With Eleonora Rossi Drago, Gabriele Ferzetti, Franco Fabrizi, Valentina Cortese. Antonioni had made a mysterious, sparse and opaque film that would define the rest of his career—an unusual movie, like many others that would follow, where “nothing happens,” at least in the estimation of his harshest critics. Sexuality is reduced to casual seduction, enterprise to the pursuit of wealth at any cost. But he does. Orson Welles regretted the Italian director's use of the long take: "I don't like to dwell on things. As Wenders has explained, Antonioni rejected almost all the material filmed by Wenders during the editing, except for a few short interludes. It was out of circulation for many years, but was re-released for a limited theatrical run in October 2005 and has subsequently been released on DVD. He is best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962) — as well as the English-language films Blowup (1966) and The Passenger (1975). Blow Up di Michelangelo Antonioni ha cambiato inevitabilmente la storia del cinema italiano e non solo, questo perché ha portato delle innovazioni non di poco conto.. Blow Up. Eschewing conventional plot and narrative forms, the Italian modernist tapped into the European post-war zeitgeist by exploring notions of uncertainty, unease and ennui. , Critic Richard Brody described Antonioni as "the cinema's exemplary modernist" and one of its "great pictorialists—his images reflect, with a cold enticement, the abstractions that fascinated him.
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