leni riefenstahl film

[6] After the war, Riefenstahl was arrested, but classified as being a "fellow traveler" or "Nazi sympathizer" only and was not associated with war crimes. Her notable works included Triumph of the Will and a two-part film on … The men remain ants in a vast enterprise. A New York TimesNotable Book of the Year. Her most famous work was Triumph of the Will, a propaganda film showing a Nazi rally in Nuremberg in 1934. [18] Nevertheless, by 5 October 1939, Riefenstahl was back in occupied Poland filming Hitler's victory parade in Warsaw. A talented swimmer and an artist, she also became interested in dancing during her childhood, taking dancing lessons and performing across Europe. The German film director and photographer Leni Riefenstahl, who has died aged 101, will be remembered for two innovative, visually eloquent and lavishly funded documentaries, Triumph of … 1949. [9] The film was not edited and released until almost ten years later. German film director, photographer, actress, dancer, and Nazi propagandist, (from a 1930s postcard honoring Riefenstahl for the, Africa, photography, books and final film, sfn error: multiple targets (2×): CITEREFTrimborn2008 (, The Wonderful, Horrible Life of Leni Riefenstahl, Learn how and when to remove this template message, "Award to German filmmaker spurs debate on her role as propagandist", Historical Journal of Film, Radio and Television, "Helene Bertha Amalie "Leni" Riefenstahl (August 22 1902 – September 8 2003)", "Salem Senior Loughry Could Be World's Oldest Female Scuba Diver", "Jodie Foster film about Hitler aide angers Jews", "Weeds Episode Scripts N/A – It's Time (Part 1)", "Interview: Kristina Klebe (Hellboy, Slay Belles, Halloween)", Hutchins Center for African and African American Research, "Before Steven Speilberg there Was Leni Riefenstahl! [citation needed], In the 2016 short film Leni. [9] At last making it back home on a bicycle, she found that American troops had seized her house. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period[4] when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light"). She is described as fitting in with Hitler's ideal of Aryan womanhood, a feature he had noted when he saw her starring performance in Das Blaue Licht. [20], Despite allegedly vowing not to make any more films about the Nazi Party, Riefenstahl made the 28-minute Tag der Freiheit: Unsere Wehrmacht ("Day of Freedom: Our Armed Forces") about the German Army in 1935. [59], Novelist and sports writer Budd Schulberg, assigned by the U.S. Navy to the OSS for intelligence work while attached to John Ford's documentary unit, was ordered to arrest Riefenstahl at her chalet in Kitzbühel, ostensibly to have her identify Nazi war criminals in German film footage captured by the Allied troops shortly after the war. Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. It's a fascinating, if somewhat long (188 min. [9] However, it was denied entry into the Cannes Film Festival. As a young woman she began a career as a dancer, but an injury at 22 forced her to give it up. "[63], Riefenstahl began a lifelong companionship with her cameraman Horst Kettner, who was 40 years her junior and assisted her with the photographs; they were together from the time she was 60 and he was 20. [9] It was while going to a doctor's appointment that she first saw a poster for the 1924 film Mountain of Destiny. It is known today that many of them were murdered in concentration camps". The only reason why Leni Riefenstahl is acting in this film is that for the first time she was offered a role. Riefenstahl became a favourite of German dictator Adolf Hitler in the 1930s, making films for his fascist regime. ... Leni Riefenstahl, Hinter den Kulissen des Reichsparteitag Films, Munich, 1935. Film Estate of Hitler's filmmaker, Leni Riefenstahl, donated to Berlin foundation. After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious clichés that so often accompany a discussion of such a controversial filmmaker. "[83], Critic Judith Thurman said in The New Yorker that, "Riefenstahl's genius has rarely been questioned, even by critics who despise the service to which she lent it. German filmmaker and photographer Leni Riefenstahl is poised to release a new film - her first in 48 years - in time for her 100th birthday on 22 August. Robert Sklar: Film, an international history of het medium, Harry N. Abrams, Inc., Publishers, New York , 1993, 560 blz, vele afbeeldingen. [16] At a meeting arranged by her friend Gunther Rahn, she met Arnold Fanck, the director of Mountain of Destiny and a pioneer of the mountain film genre. [9], The last time Riefenstahl saw Hitler was when she married Peter Jacob on 21 March 1944. Ben Morgan comments on Riefenstahl's distortion of sound: “In Triumph of the Will, the material world leaves no aural impression beyond the music. [94][95], Riefenstahl appears in the 2019 film Hellboy portrayed again by Kristina Klebe.[94]. [72] On 22 August 2002, her 100th birthday, she released the film Impressionen unter Wasser ("Underwater Impressions"), an idealized documentary of life in the oceans and her first film in over 25 years. [9], In the post-war years she was subject of four denazification proceedings, which finally declared her a Nazi sympathizer but she was never prosecuted. [64], Writer Richard Corliss wrote in Time that he was "impressed by Riefenstahl's standing as a total auteur: producer, writer, director, editor and, in the fiction films, actress. Her reaction shots have a tedious sameness: shining, ecstatic faces—nearly all young and Aryan, except for Hitler's". [9] Without her father's knowledge, she enrolled Riefenstahl in dance and ballet classes at the Grimm-Reiter Dance School in Berlin, where she quickly became a star pupil. Hun blev især berømt for sit kontroversielle arbejde som Hitlers chefinstruktør, som bl.a. [28] She edited and dubbed the remaining material and Tiefland premiered on 11 February 1954 in Stuttgart. She said, 'Of course, you know, I'm really so misunderstood. [9] After waking up from a coma in a Nairobi hospital, she finished writing the script, but was soon thoroughly thwarted by uncooperative locals, the Suez Canal crisis and bad weather. [33] Olympia was secretly funded by the Third Reich. [60] Riefenstahl said she was not aware of the nature of the internment camps. [16] Riefenstahl later received a package from Fanck containing the script of the 1926 film The Holy Mountain. [9] Even so, Riefenstahl was granted Sudanese citizenship for her services to the country, becoming the first foreigner to receive a Sudanese passport. Olympia was shown at the Chicago Engineers Club two days later. Many of these shots were relatively unheard of at the time, but Leni's use and augmentation of them set a standard, and is the reason they are still used to this day. [70], In 1978, Riefenstahl published a book of her sub-aquatic photographs called Korallengärten ("Coral Gardens"), followed by the 1990 book Wunder unter Wasser ("Wonder under Water"). It was released in North America on February 19, 2016. Members of Rammstein praised Riefenstahl's filmmaking abilities and aesthetic choices in a 2011 documentary of the making of the video, particularly the imagery of the athletes, while simultaneously disassociating themselves from her politics. London, 1949. Zudem drehte Dr. Arnold Fanck in diesem Jahr (der Film wurde 1928 hergestellt) ohne Darsteller bei den Olympischen Winterspielen in St. Moritz. [16] She is protected by a glowing mountain grotto. [45] Riefenstahl reportedly wanted Sharon Stone to play her rather than Foster. In the 1930s, she directed the Nazi propaganda films Triumph des Willens ("Triumph of the Will") and Olympia, resulting in worldwide attention and acclaim. [53] Riefenstahl apologized and said, "I regret that Sinti and Roma [people] had to suffer during the period of National Socialism. After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious clichés that so often accompany a discussion of such a controversial filmmaker. [36] Riefenstahl's work on Olympia has been cited as a major influence in modern sports photography. Dec 21, 2015 - Helene Bertha Amalie "Leni" Riefenstahl (German: 22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress and dancer. It was the first documentary feature film of an Olympic Games ever made. [40] When news of the event reached the United States,[40] Riefenstahl publicly defended Hitler. Helene Bertha Amalie Riefenstahl was born in Berlin on 22 August 1902. Olympia is a 1938 Nazi German propaganda sports film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin, Germany. [45] According to her memoir, Riefenstahl tried to intervene but a furious German soldier held her at gunpoint and threatened to shoot her on the spot. Riefenstahl’s film work intersected with the Nazi genocide machine during two years of production on “Lowlands,” about a dancer courted by two suitors. [16] One of Fanck's films that brought Riefenstahl into the limelight was The White Hell of Pitz Palu of 1929, co-directed by G. W. [45] Riefenstahl was a member of Greenpeace for eight years. [88], In 1998 Neue Deutsche Härte band Rammstein released a cover of the Depeche Mode song "Stripped", accompanied by a video incorporating footage from Olympia. [22] After meeting Hitler, Riefenstahl was offered the opportunity to direct Der Sieg des Glaubens ("The Victory of Faith"), an hour-long propaganda film about the fifth Nuremberg Rally in 1933. [80], Reviewer Gary Morris called Riefenstahl, "An artist of unparalleled gifts, a woman in an industry dominated by men, one of the great formalists of the cinema on a par with Eisenstein or Welles". [49] Almost to the end of her life, despite overwhelming evidence that the concentration camp occupants had been forced to work on the movie unpaid, Riefenstahl continued to maintain all the film extras survived and that she had met several of them after the war. Riefenstahl relies heavily for her transitions on portentous cutaways to clouds, mist, statuary, foliage, and rooftops. [16] She persuaded him to feature her in one of his films. See more ideas about Leni riefenstahl, Film director, Photographer. [92] To make her sympathetic portrayal acceptable to an American audience, the film dramatizes her quarrels with Goebbels over her direction of Olympia, especially about filming the African American star who is proving to be a politically embarrassing refutation of Nazi Germany's claims of Aryan athletic supremacy. Her notable works included Triumph of the Will and a two-part film on … Besides directing, Riefenstahl released an autobiography and wrote several books on the Nuba people. Controversial film-maker Leni Riefenstahl, who made the Nazi propaganda film Triumph of the Will, has died aged 101. Berta Helene Amalie Leni Riefenstahl (født 22. august 1902, død 8. september 2003) var en tysk skuespillerinde, danserinde, filmfotograf og instruktør berømmet for sin æstetiske sans. [49] This time Sinti and Roma people from the Marzahn detention camp near Berlin were compelled to work as extras. Teil — Fest der Völker (Festival of Nations) and Olympia 2. [16] According to herself, Riefenstahl received invitations to travel to Hollywood to create films, but she refused them in favour of remaining in Germany with a boyfriend. Hitler saw Leni Riefenstahl as a director who could use aesthetics to produce an image of a strong Germany imbued with Wagnerian motifs of power and beauty. [62] She was tried four times by postwar authorities for denazification and eventually found to be a "fellow traveller" (Mitläufer) who sympathised with the Nazis. [13], Riefenstahl attended dancing academies and became well known for her self-styled interpretive dancing skills, traveling across Europe with Max Reinhardt in a show funded by Jewish producer Harry Sokal. In 2000, Jodie Foster was planning a biographical drama on Riefenstahl, then seen as the last surviving member of Hitler's "inner circle", causing protests, with the Simon Wiesenthal Centre's dean Marvin Hier warning against a revisionist view that glorified the director, observing that Riefenstahl had seemed "quite infatuated" with Hitler. Greenman's Leni revolves around the making of Triumph of the Will and has seen productions all over the United States. Hun blev især berømt for sit kontroversielle arbejde som Hitlers chefinstruktør, som bl.a. [10][9] Riefenstahl had a younger brother, Heinz, who was killed at the age of 39 on the Eastern Front in Nazi Germany's war against the Soviet Union. [61] According to Schulberg, "She gave me the usual song and dance. [62] Throughout 1945 to 1948, she was held by various Allied-controlled prison camps across Germany. [31] Like Der Sieg des Glaubens and Triumph des Willens, this was filmed at the annual Nazi Party rally at Nuremberg. [5] Some have argued that Riefenstahl's visions were essential to the carrying out of the mission of the Holocaust. [57], In the 1960s, Riefenstahl became interested in Africa from Ernest Hemingway's Green Hills of Africa and from the photographs of George Rodger. The film is also noted for its slow motion shots. Berta Helene Amalie Leni Riefenstahl (født 22. august 1902, død 8. september 2003) var en tysk skuespillerinde, danserinde, filmfotograf og instruktør berømmet for sin æstetiske sans. It seemed as if the Earth's surface were spreading out in front of me, like a hemisphere that suddenly splits apart in the middle, spewing out an enormous jet of water, so powerful that it touched the sky and shook the earth". [17] This film won the Silver Medal at the Venice Film Festival, but was not universally well-received, for which Riefenstahl blamed the critics, many of whom were Jewish. How can we ever thank you? Leni Riefenstahl, who did more than any other artist to shape the image of the Third Reich, died in her sleep Monday night in Berlin. [37], Olympia premiered for Hitler's 49th birthday in 1938. Leni Riefenstahl on the set of “Olympia” Leni Riefenstahl was … In 1993, Riefenstahl was the subject of the award-winning German documentary film Die Macht der Bilder: Leni Riefenstahl (1993), directed by Ray Müller. In a state where women played a secondary role to men, Riefenstahl was given a free hand by Hitler to produce propaganda films for the Nazi regime. [38] In February 1937, Riefenstahl enthusiastically told a reporter for the Detroit News, "To me, Hitler is the greatest man who ever lived. [49] The extras playing Spanish women and farmers were drawn from Romani detained in a camp at Salzburg-Maxglan who were forced to work with her. In 1993, Riefenstahl was the subject of the award-winning German documentary film The Wonderful, Horrible Life of Leni Riefenstahl, directed by Ray Müller. The dancer, actress, director and photographer Helene “Leni” Riefenstahl, who died in 2003, is a controversial character, largely because of the many propaganda movies she produced for the Nazis. Riefenstahl distorts the diegetic sound in Triumph of the Will. Film Estate of Hitler's filmmaker, Leni Riefenstahl, donated to Berlin foundation. [74][46], Riefenstahl celebrated her 101st birthday on 22 August 2003 at a hotel in Feldafing, on Lake Starnberg, Bavaria, near her home. [54] As Germany's military situation became impossible by early 1945, Riefenstahl left Berlin and was hitchhiking with a group of men, trying to reach her mother, when she was taken into custody by American troops. [23] She and Hitler got on well, forming a friendly relationship. [citation needed], The 2017 video game Wolfenstein II: The New Colossus (which takes place in an alternative 1961 where the Nazis won World War 2) features a supporting character heavily implied to be Riefenstahl, voiced by actress Kristina Klebe. The film is of minor importance and is even not registered in the Lamprecht catalogue. [9] Although both film professionals and investors were willing to support her work, most of the projects she attempted were stopped owing to ever-renewed and highly negative publicity about her past work for the Third Reich. [42] The flag serves as a symbol of masculinity, equated with national pride and dominance, that channels men's sexual and masculine energy. [28] During the filming of Tiefland, Riefenstahl utilized Romani from internment camps for extras, who were severely mistreated on set, and when the filming completed they were sent to the death camp Auschwitz. [58] While scouting shooting locations, she almost died from injuries received in a truck accident. [53], In October 1944 the production of Tiefland moved to Barrandov Studios in Prague for interior filming. [67] Art Director's Club of Germany awarded Riefenstahl a gold medal for the best photographic achievement of 1975. [89], Riefenstahl was referred to in the series finale of the television show Weeds when Nancy questions Andy for naming his daughter after a Nazi to which he replied "she was a pioneer in film-making, I don't believe in holding grudges. [19] He saw talent in Riefenstahl and arranged a meeting. ", "Gypsies' Fate Gaunts Film Muse of Hitler", "Pro-Nazi Filmmaker Leni Riefenstahl, 101, Dies", "The Wonderful, Horrible Life of Leni Riefenstahl", "Olympia in America, 1938: Leni Riefenstahl, Hollywood, and the Kristallnacht", "Her Films Glorified Hitler now Leni Riefenstahl's Story Hits the Screen", "Hitler's Filmmaker Leni Riefenstahl Celebrates 101st Birthday", "Steven Soderbergh Reveals He Dropped A Leni Riefenstahl Biopic To Do 'Contagion' Instead", "Art of Justice: The Filmmakers at Nuremberg", "Leni Riefenstahl: The Casualty of Triumph", "Leni: The Life and Work of Leni Riefenstahl, by Steven Bach", "Lonesome Leni: Wonderful, Horrible Life of Leni Riefenstahl", "Leni Riefenstahl, Film Innovator Tied to Hitler, Dies at 101", "What They Said About... Leni Riefenstahl", "Leni Riefenstahl – Propagandist For the Third Reich", International Committee of the Fourth International, "Where There's a Will: the Rise of Leni Riefenstahl", "Valeria Schulczová, Roman Olekšák: Leni", "Quentin Tarantino's 'Basterds' Is a Glorious Mash-up", Newspaper clippings about Leni Riefenstahl, Leni Riefenstahl's Triumph of the Will on MoMA Learning, The Wonderful Horrible Life of Leni Riefenstahl, Cleaning and disinfection of personal diving equipment, Swimming at the 1900 Summer Olympics – Men's underwater swimming, Confédération Mondiale des Activités Subaquatiques, Fédération Française d'Études et de Sports Sous-Marins, Federación Española de Actividades Subacuáticas, International Association for Handicapped Divers, Environmental impact of recreational diving, Table Mountain National Park Marine Protected Area, Finger Lakes Underwater Preserve Association, Maritime Heritage Trail – Battle of Saipan, Use of breathing equipment in an underwater environment, Failure of diving equipment other than breathing apparatus, Testing and inspection of diving cylinders, Association of Diving Contractors International, Hazardous Materials Identification System, International Marine Contractors Association, List of signs and symptoms of diving disorders, European Underwater and Baromedical Society, National Board of Diving and Hyperbaric Medical Technology, Naval Submarine Medical Research Laboratory, Royal Australian Navy School of Underwater Medicine, South Pacific Underwater Medicine Society, Southern African Underwater and Hyperbaric Medical Association, United States Navy Experimental Diving Unit, List of legislation regulating underwater diving, UNESCO Convention on the Protection of the Underwater Cultural Heritage, History of decompression research and development, Basic Cave Diving: A Blueprint for Survival, Bennett and Elliott's physiology and medicine of diving, Code of Practice for Scientific Diving (UNESCO), IMCA Code of Practice for Offshore Diving, ISO 24801 Recreational diving services — Requirements for the training of recreational scuba divers, The Silent World: A Story of Undersea Discovery and Adventure, List of Divers Alert Network publications, International Diving Regulators and Certifiers Forum, List of diver certification organizations, National Oceanic and Atmospheric Administration, World Recreational Scuba Training Council, Commercial diver registration in South Africa, American Canadian Underwater Certifications, Association nationale des moniteurs de plongée, International Association of Nitrox and Technical Divers, International Diving Educators Association, National Association of Underwater Instructors, Professional Association of Diving Instructors, Professional Diving Instructors Corporation, National Speleological Society#Cave Diving Group, South African Underwater Sports Federation, 14th CMAS Underwater Photography World Championship, Physiological response to water immersion, Russian deep submergence rescue vehicle AS-28, Submarine Rescue Diving Recompression System, Artificial Reef Society of British Columbia, Diving Equipment and Marketing Association, Society for Underwater Historical Research, Underwater Archaeology Branch, Naval History & Heritage Command, International Submarine Escape and Rescue Liaison Office, Submarine Escape and Rescue system (Royal Swedish Navy), Submarine Escape Training Facility (Australia), Neutral buoyancy simulation as a training aid, https://en.wikipedia.org/w/index.php?title=Leni_Riefenstahl&oldid=996518227, Short description is different from Wikidata, Articles with unsourced statements from September 2019, Articles needing additional references from September 2019, All articles needing additional references, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Film director, producer, screenwriter, photographer, actress, Hazard identification and risk assessment, This page was last edited on 27 December 2020, at 02:15. Throughout her life, she denied having known about the Holocaust. [85] Riefenstahl, who for some time had been working on her memoirs, decided to cooperate in the production of this documentary to tell her life story about the struggles she had gone through in her personal life, her film-making career and what people thought of her. [74] In 1987 an autobiography about Riefenstahl was released, Leni Riefenstahl's Memoiren, regarding her life as a filmmaker and her post-war life. [14] In 1960, Riefenstahl attempted to prevent filmmaker Erwin Leiser from juxtaposing scenes from Triumph des Willens with footage from concentration camps in his film Mein Kampf. Leni., based on the play by Tom McNab and directed by Adrian Vitoria, Hildegard Neil portrays Riefenstahl[93] preparing to give an interview in 1993. [11], Riefenstahl fell in love with the arts in her childhood. Ernst Iros in Experiment in the Film, edited by Roger Manvell. His wife, however, continued to support her daughter's passion. Iceberg was her only English language role in film. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures.With Fanck as her mentor, Riefenstahl began directing films. [18] By later accounts, Goebbels thought highly of Riefenstahl's filmmaking but was angered with what he saw as her overspending on the Nazi-provided filmmaking budgets. Leni Riefenstahl, the German filmmaker whose daringly innovative documentaries about a Nazi rally in Nuremberg in 1934 and the Berlin Olympics … [9] Many of her filmmaking peers in Hollywood had fled Nazi Germany and were unsympathetic to her. Riefenstahl. [69] She was guest of honour at the 1976 Olympic Games in Montreal, Quebec, Canada. [47] Riefenstahl and Jacob divorced in 1946. [9], In 1954, Jean Cocteau, who greatly admired the film, insisted on Tiefland being shown at the Cannes Film Festival, which he was running that year. Provided with access to Leni Riefenstahl's personal archives and film collection, the author explores her career. [9] During the filming of Olympia, Riefenstahl was funded by the state to create her own production company in her own name, Riefenstahl-Film GmbH, which was uninvolved with her most influential works. [46], Film scholar Mark Cousins notes in his book The Story of Film that, "Next to Orson Welles and Alfred Hitchcock, Leni Riefenstahl was the most technically talented Western film maker of her era". German filmmaker and photographer Leni Riefenstahl is poised to release a new film - her first in 48 years - in time for her 100th birthday on 22 August. Leni Riefenstahl werd geboren in Wedding, een in Berlijn destijds als 'misdadigers- en arbeiderskolonie' bekend staand stadsdeel, als dochter van een loodgieter. Riefenstahl was a consummate stylist obsessed with bodies in motion, particularly those of dancers and athletes. [9] In 1918, when she was 16, Riefenstahl attended a presentation of Snow White which interested her deeply; it led her to want to be a dancer. [9] She photographed the 1972 Olympic Games in Munich, and rock star Mick Jagger along with his wife Bianca for The Sunday Times. [21], Riefenstahl heard Nazi Party (NSDAP) leader Adolf Hitler speak at a rally in 1932 and was mesmerized by his talent as a public speaker. https://encyclopedia.ushmm.org/content/en/article/leni-riefenstahl [84], Pauline Kael, also a film reviewer employed for The New Yorker, called Triumph des Willens and Olympia, "the two greatest films ever directed by a woman". Adolf Hitler was in close collaboration with Riefenstahl during the production of at least three important Nazi films, and they formed a friendly relationship. [62] She was also under house arrest for a period of time. It also revealed that her mysterious "producer" is an aging, delusional Adolf Hitler and that the two share a close working relationship. Many advanced motion picturetechniques, which later became industry standards but which … [55], Riefenstahl tried many times to make more films during the 1950s and 1960s, but was met with resistance, public protests and sharp criticism. Leni Riefenstahl Celebrity Profile - Check out the latest Leni Riefenstahl photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Leni Riefenstahl, Der Triumph des Willens (Triumph of the Will), 1936, film. Teil — Fest der Schönheit (Festival of Beauty). [27] Initially, according to Riefenstahl, she resisted and did not want to create further Nazi Party films, instead wanting to direct a feature film based on Eugen d'Albert's Tiefland ("Lowlands"), an opera that was extremely popular in Berlin in the 1920s. It's a fascinating, if somewhat long (188 min. Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, documenting the 1936 Summer Olympics, held in the Olympic Stadium in Berlin, Germany.The film was released in two parts: Olympia 1.Teil — Fest der Völker (Festival of Nations) and Olympia 2.Teil — Fest der Schönheit (Festival of Beauty). [5] The opportunity that was offered was a huge surprise to Riefenstahl. [40] On 18 November, she was received by Henry Ford in Detroit. Influenced by Classical Hollywood cinema's style, German art film employed music to enhance the narrative, establish a sense of grandeur, and to heighten the emotions in a scene.

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